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IDENTITY

Letter 805 — Copying Millet and improvising colour

Saint-Rémy, 1889

Content Summary

Van Gogh explains why he copies Millet and Delacroix and describes translating black-and-white reproductions into colour through his own improvisation.

Sheepshearing — after Jean-François Millet, engraved by Jacques-Adrien Lavieille

CONTEXT

Topics

Copying, Colour, Colour from Memory, Working Method, Figure Study, Simplification, Artistic Influence

Materials & Pigments

Related People

Vincent van Gogh, Theo van Gogh, Jean-François Millet, Eugène Delacroix

Paintings

RESEARCH

Quotation

I place the black-and-white by Delacroix or Millet or after them in front of me as a subject. And then I improvise colour on it

Research Focus

The letter provides a particularly clear account of copying as creative interpretation: the source supplies structure and subject, while colour becomes an arena for Van Gogh’s independent invention.

Related Work / Relevance

SOURCES & EVIDENCE

Source Type

Letter

Source

Source Edition

Vincent van Gogh — The Letters, scholarly online edition (Van Gogh Museum / Huygens ING; website version December 2024)

Source URL

Evidence Type

Primary Source, Scholarly Annotation

Related Readings

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