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IDENTITY

Letter 804 — Painted portrait, photography and copying Delacroix and Millet

Saint-Rémy, 1889

Content Summary

Van Gogh discusses copying Delacroix and Millet and explains why, for him, a painted portrait differs fundamentally from a photograph.

Pietà (after Delacroix) — Vincent van Gogh

CONTEXT

Topics

Portraiture, Photography, Copying, Artistic Philosophy, Artistic Influence, Working Method

Materials & Pigments

Related People

Vincent van Gogh, Willemien van Gogh, Eugène Delacroix, Jean-François Millet

Paintings

Pietà (after Delacroix) (F630 / JH1775)

RESEARCH

Quotation

a painted portrait is a thing of feeling made with love or respect for the being represented

Research Focus

The letter clarifies Van Gogh’s belief that painted representation carries an emotional and interpretive dimension that cannot be reduced to mechanical likeness, while situating copying within his continued study of admired artists.

Related Work / Relevance

SOURCES & EVIDENCE

Source Type

Letter

Source

Source Edition

Vincent van Gogh — The Letters, scholarly online edition (Van Gogh Museum / Huygens ING; website version December 2024)

Source URL

Evidence Type

Primary Source, Scholarly Annotation

Related Readings

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